Last weekend I threw out a riff for a little analytic/intellectual improvisation, and the dKos jazzsters were true to form; a pretty amazing quintet came together around that riff and in a rather intimate setting an interesting little number emerged. Luckily in the world of Jazz there's no such thing as a repeat performance, so Armando won't have to chastise me for repeating diaries, but a recap of the themes for future listening/pondering pleasure seems well within the rules. I'm offering this up for a couple of reasons: 1) to introduce the idea of improvisation with other thinkers and doers on riffs of interest importance and 2) `cuz I got chastised by some for keeping it in the diaries and that's been sitting rather uncomfortably with me this past week. It's a quiet little nightspot, the dKos Improvisation House, and the intimacy is conducive to some powerful collaboration. But maybe you know someone who might like to come along.
Last week's performances centered around a riff of radical self-reflection. It began with a pretty basic point: (1) where (a), (b), and (c) weren't made explicit, but came out in the course of the discussion. Strong support and harmonies were supplied by MAJeff, hono lulu, presto, MJB to really enrich the basic riff. And Meteor Blades kept the mix of traditional and freeform in balance throughout.
1. A radical self-reflection is necessary for progressive politics to "work"
a. "radical" meaning collective not individualized
b. "radical" meaning opening up the critical process to even the most comfortable of convenient fictions about our culture/society
c. self-reflection in the sociological sense of reflexivity and self-reflexivity
d. MAJeff refers to this as "critical reflexivity".
Along with the group performance, some powerful solos by MAJeff and presto took the performances to another level:
2. MAJeff observes that collective actors are necessary for progressive politics to prosper and that in that formation a politics of radical self-reflection is possible.
a. The implication is that there is a collective actor, a "we" taking the action.
b. Self-reflection/criticial reflexivity needs spaces where it can develop (return to politics of the public sphere again).
c. The formation of collective actors is one of the ways that spaces for this reflection come into being.
d. DKos is one kind of collective actor that renews itself and reforms. This is what blogs do.
e. Blogs, then are important in considering "where" collective action moves, how we conceptualize collective actors, etc.
And MAJeff and hono lulu left the club determined to continue the improv sessions with other riffs and artists.
So, tune up your instruments and come inside from the cold. It is, unfortunately, a BYOB kind of place, 'til we get this off the ground. Tonight I wanted to introduce the idea of public sphere politics for all of us to riff on. More on the flip.